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This music was incredibly awsome. I had never heard of Craig Armstrong before and was surprised at how good this music sounded. I love the way he uses the strings and precussion. This music is truely incredible.
The complete score, you can't go wrong with that. This is the first score I've bought from Craig Armstrong, and he seems capable of action music and subtle underscore, though this score suffers the same problems as many others: repetition. He uses the same action motifs over and over, but that's not too bad.
The Incredible Hulk is the second time they've tried to kickstart Marvel's `Hulk' character with a big-screen adventure after the popular 1970s TV series starring Bill Bixby; the first, critically maligned movie starred Eric Bana as the ill-fated scientist who turns into a green-skinned monster when he gets angry. Some of the action music is quite superb: rampaging, muscular pieces which throb to relentless electronic rhythms and large orchestral forces. In addition, there are some enjoyable montage/travelling cues which use the music's energy and internal rhythm to superb effect, a couple of more intimate themes to represent Banner's interpersonal relationships (such as "Reunion", "Bruce Can't Stay", "I Can't" the lovely conclusive pair "Hulk and Betty" and "Bruce and Betty"), and even some deliciously melodramatic hero-music in "Bruce Must Do It", while "The Data/The Vial" and "NYC Cab Ride" revisit the style of the lovely, moody mystery writing heard in the opening Arctic piece to great effect. The score for The Incredible Hulk is by Scottish composer Craig Armstrong, who previous worked with director Leterrier on Unleashed in 2005. Unusually, virtually all of Armstrong's 111-minute score was released on the commercial soundtrack, split over two discs: the cues "The Arctic" to "Hulk Theme" comprise the first CD, while "Saved From the Flames" to "Hulk Theme (End Credits)" comprise the second. Armstrong's score is a combination of balls-out action and bittersweet contemplation, the former underscoring the enormous battle sequences between Hulk and his evil alter ego, and the latter illustrating the loneliness and sorrow of Banner's life in exile. This new version is directed by Louis Leterrier stars Edward Norton, Liv Tyler, William Hurt and Tim Roth, and stays more within the traditional realms of the accepted comic book history, with Dr Bruce Banner on the run from the US Government after experiments in gamma radiation and military weaponry left him susceptible to his little problem. Cues such as "Favela Escape", "They're Here", "Abomination Alley", "Harlem Brawl" and "Hulk Smash" are very thrilling indeed.
The opening "The Arctic" sets out the stall well with a series of impressively heroic orchestral crescendos that eventually open up into a menacing, brass-heavy march. The "Main Title" introduces the serpentine three-note motif for the Hulk, which later re-occurs much more frequently, notably in cues such as "That Is the Target", "Give Him Everything You've Got", and of course the rampant "Hulk Theme". It's also worth noting that Armstrong respectfully tips his hat to Joe Harnell's classic Lonely Man theme from the TV series in the cue "Bruce Goes Home". Unfortunately, while the music is generally good, it's such a slog to actually sit and listen to it all in one sitting; I would have much preferred a 40-50 minute album of the highlights to all of this, and as such the rating gets knocked down a notch.
I just finished listening to Craig Armstrong's score for 2008's "The Incredible Hulk", and all I can say is. WOW.First of all, you get quite a bit of music on this album, and even though it's on CD-R's instead of the traditional factory made CD's, please don't let that deter you from buying this soundtrack. I was rather surprised to find a song on this CD (entitled "The Arctic") which wasn't part of the film, and that little bonue track made the whole album such a pleasure to listen to.Considering that the 2008 film is a loving shout-out to the classic 1970's-era TV series, I thought it was such a nice touch that Joe Harnell's theme for the TV show was incorporated into the orchestral score with great effect.There are 57 minutes of music on each CD, and that gives you a little over 2 hours of marvelous movie music. An epic comic book character deserves an epic movie score, and Craig Armstrong delivers the goods and them some.Highly recommended.
Excellent soundtrack. They picked the best music out of the film. Good movie, good music. Recommended.
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